Paul Taylor Creative Domain
Paul Taylor is considered one of the most highly respected choreographers in the world today, and this documentary guides us through one of his works in progress.
Paul Taylor is considered one of the most highly respected choreographers in the world today, and this documentary guides us through one of his works in progress.
This documentary about a landmark family’s contributions to American music shows the Carter and Cash clans with a long, colorful history, albeit with their share of joy and heartache.
When people feel they’ve been wronged by another/others, they inevitably wish for someone to make amends; that is reparation. When Bob (Marc Menchaca) is discharged from the Air Force, he seems to have PTSD and a three-year memory gap. One day, when Lucy (Virginia Newcomb) comes across him wandering down a road, she stops to
“Room” is the original and unique cinematic experience I have been searching for all year long.
Tom McCarthy seems like a pretty talented guy, high praise for his supporting acting roles, received an Oscar nomination for animated scripts like “Up”, and consulted on the record breaking first season of “Game of Thrones”.
Christmas movies are as formulaic as horror films or romantic comedies, in many ways they are worse.
My All American is written to be inspirational, showing that true grit, family, and religious faith is a winning combination.
In many ways The 33 is a more powerful true story than IMAX seat gripper Everest. If the humanity and emotion gets somewhat lost in Baltasar Kormákur brilliant technical filmmaking on Everest, director Patricia Riggen understands that getting to know the 33 trapped Chilean miners is the entire story here.
Irish film The Hallow begins like any other horror movie, with a couple moving into a secluded new home with strange neighbors. Both lead actor Mawle and supporting actor McElhatton are Game of Thrones alum, dabbling in genre films during the off season.
With the sweep of an epic, and the intimacy of a love story, Brooklyn soars as a magical film in a year filled with small cinema gems. “I felt the film could be profoundly moving,” shared its director, John Crowley, at a question-and-answer session at the 53rd New York Film Festival. “It could be a