2019

Everybody Knows

Two-time Oscar-winning director Asghar Farhadi (“The Salesman, “A Separation”) returns with big stars in his first Spanish-language film “Everybody Knows.” It received a lukewarm reception at Cannes and I can see why. The suspense thriller starring Penelope Cruz and Javier Bardem feels less socially important than Farhadi’s previous work. That said, “Everybody Knows” is his […]

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Arctic

Can a film be both really good and yet stereotypical in every way? “Arctic” is the best film of 2019, so far.  The survival thriller received a ten-minute standing ovation at the Cannes Film Festival, but there isn’t much to celebrate in this compact 90-minute thriller that you can’t find elsewhere. With so little dialogue,

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Lego Movie 2: The Second Part

Following upon The Lego Movie (2014), this sequel continues the adventures of the “Master Builders” who started out as resistance fighters against Lord Business and his army of Micro Managers. Emmet (Pratt) and Wyldstyle (Banks) were heroic in the previous story and ended up as best friends in a happy town, Bricksburg, where everyone is special.  It should be

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High Flying Bird

Steven Soderbergh and his iPhone take us somewhere few have been before, behind the scenes of an NBA lockout. “High Flying Bird” which was picked up by Netflix at Sundance isn’t what you expect from the guy behind “Erin Brockovich” or “Ocean’s Eleven.” It’s not even in the same wheelhouse as “Unsane,” Soderbergh’s suspense thriller also filmed on

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Cocote

There is little that works about “Cocote,” the Dominican Republic’s submission to the 91st Academy Awards. The most obvious shortfall is how the film is technically assembled. It begins in letterbox (full screen) format, which in itself is not that uncommon, Jonah Hill’s “Mid 90’s” and Poland’s foreign entry “Cold War” both utilize the format. However,

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