Jessie Buckley

Men

Writer and director Alex Garland might be one of the most promising filmmakers of the new era. Previous films “Ex Machina” and “Annihilation” display a unique vision of getting underneath the science fiction genre, offering new ideas and social warnings if you listen with your eyes. Garland delivers something unexpected with “Men.” Flirting more with

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The Courier

Some films are disadvantaged before opening credits. “The Courier” is a “spy film” that specifically isn’t a “spy thriller.” So leave any notions of James Bond or Tom Clancy at the door. Benedict Cumberbatch has been selected for this role because of his Marvel appeal, but that means little when your target audience falls outside

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Misbehavior

“Misbehavior” tackles a large portion of London’s women’s liberation movement of the early 70s, beginning with a scrappy group that infiltrated the Miss World Pageant in 1970. Screenwriters Rebecca Frayn and Gaby Chiappe give so many of the characters their own point of view moments, that sometimes it’s unclear exactly whose story is being told

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I’m Thinking of Endings Things

To better understand Charlie Kaufman, I would refer you to his Oscar-winning film “Adaptation.” Tasked with adapting a novel, Kaufman (“Being John Malkovich”) ended up writing about his own struggles with the process resulting in an extraordinary film that won Meryl Streep a Golden Globe nomination and Chris Cooper an Oscar. “Eternal Sunshine of the Spotless Mind” is

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Judy movie poster Renée Zellweger

Judy

Academy Award winner Renee Zellweger (“Cold Mountain,” “Chicago”) drops a house on the acting competition this year, portraying one of our most beloved film icons. “A blip” is what Bridget Jones would have called Zellweger’s soft return in the third installment of the Jones character, but “Judy” isn’t simply a comeback, it redefines the Texan’s

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Beast

This movie opens with stunning oceans views and beautiful scenery, but viewers will quickly sense the foreboding dread they likely paid for. This isn’t a beauty and the beast story. New filmmaker Michael Pearce explores romance, horror, manipulation and mental illness in a film that feels like Twilight’s cousin. The moody scenery of France’s Chanel

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