2020

The Glorias

Too young to remember writer, feminist, and political activist Gloria Steinem? This film by Julie Taymor (“Frida”), based on Steinem’s autobiography, not only documents her achievements but her struggle along the way. Taymor doesn’t give you a run-of-the-mill biopic, which is based on Steinem’s recent book. “The Glorias” aims for the details you don’t know […]

The Glorias Read More »

Misbehavior

“Misbehavior” tackles a large portion of London’s women’s liberation movement of the early 70s, beginning with a scrappy group that infiltrated the Miss World Pageant in 1970. Screenwriters Rebecca Frayn and Gaby Chiappe give so many of the characters their own point of view moments, that sometimes it’s unclear exactly whose story is being told

Misbehavior Read More »

The Nest

This movie is odd, with the title being the strangest part.  Associations to a nest are normally that of a stable, comfy, nurturing place with a family altogether.  The story starts out like this, although with a few signs that there might be fundamental problems—a mother consistently late in getting the kids to school, a father needing

The Nest Read More »

Antebellum

There is a good movie in “Antebellum” somewhere, with social commentary and a twist that could knock your socks off. Unfortunately, writers/directors Gerard Bush, Christopher Renz whose experience with short films and music videos isn’t enough to make this one work. Musician turned actress Janelle Monae (“Moonlight,” “Hidden Figures”) is completely committed in her role, which is the only reason this

Antebellum Read More »

Blackbird

My continued complaint with filmmakers is they don’t watch enough other films. “Blackbird” might have been an award-worthy, groundbreaking new take on the terminally ill/assisted suicide moral dilemma if a handful of other films on the same subject hadn’t gotten their first. Roger Michell (“Notting Hill,” “My Cousin Rachel“) isn’t known for originality, in fact,

Blackbird Read More »

The Broken Hearts Gallery

From writing episodes of “Grey’s Anatomy” to “Gossip Girl”, Natalie Krinsky makes her directorial debut with this generations Bridget Jones, another generations “Pride & Prejudice”. Geraldine Viswanathan (“Bad Education”, “Blockers”) must carry and sell the entire film based on her likeability, and how funny you find her. You either find her dumb- wit and prat

The Broken Hearts Gallery Read More »

Scroll to Top