You barely have time to get your bearings before Underwater charges full steam ahead with its anxiety inducing deep sea horror. Relative new Director William Eubank and his screenwriters, Brian Duffield (Insurgent) and Adam Cozad (Jack Ryan: Shadow Recruit) borrow heavily from institutional horror and science fiction films. Rarely does Underwater showcase original thinking or […]
Filmmaker François Girard (The Red Violin) is interested in music first, film second, and history third. His latest The Song of Names, like all his work, combine those three elements, this time into a familiar WWII film. The Song of Names also functions somewhat as a coming of age story, or at least it’s flashbacks.
First movie of the new year, first review, and while you can’t expect much from a Tiffany Haddish flick, “Like a Boss” is a step in the wrong direction for everyone involved. Salma Hayek previously worked with Miguel Arteta on “Beatriz at Dinner,” a film that was among 2017’s best. “Like a Boss” could effortlessly be one of 2020’s worst, which of course, is why it’s a
Academy Award-winning director Sam Mendes (“American Beauty”) has a somewhat erratic filmography. How can the same guy who directed “Skyfall” also be the same person behind “Away We Go?” This same man directed the brilliant cinematic crime film “Road to Perdition” before jumping to intimate family drama “Revolutionary Road.” Mendes’s range doesn’t necessarily speak to his talent and
It’s been a while since we had a powerful wrongly accused, racial discrimination courtroom drama. Upcoming “Shang-Chi and the Legend of the Ten Rings” director Destin Daniel Cretton continues his collaborations with Brie Larson (“Short Term 12,” “The Glass House”) in “Just Mercy.” The subject matter and the simplistic way the story is told mirrors
