Director Hans Petter Moland has adapted Per Petterson’s dense novel of the same name into a film that’s cinematically ornamental. Internationally, the film is being sold as a Stellan Skarsgård vehicle, despite the fact he’s a minor character in the story. Narratively framed similar to The Reader, Out Stealing Horses exists almost entirely in flashback. […]
Norway’s entry to the 90th Academy Awards shouldn’t be defined by that status. In fact, Thelma has such an ideal blend of science fiction, horror and suspense, it makes it one of the more enjoyable and recommendable genre films of the season. Thelma comes to us from the director of Louder than Bombs, which showcased
I’m not sure what exactly happen to this film but it’s a complete mess. With Martin Scorsese on as a producer (he was the original director) and with a cast this talented, you expect a certain standard. The Snowman is the seventh entry in a crime series featuring the character Harry Hole (insert all laughs
Norway’s submission to the 88th Annual Academy Awards wasn’t nominated for best foreign film. Still it’s an impressive piece of cinema for the country, breaking box office records on opening day. Yet when you widen the scope and compare The Wave to other disaster films, like Oscar nominated South American film The Impossible, it’s not