Why is it the reboots of Spider-Man feel like “they are going to get it right this time” and then we get to the sequel. Perhaps it’s because “Spider-Man: Far From Home” is the third, part-two. Sam Rami’s “Spider-Man 2” with Tobey Maguire (2004), “The Amazing Spider-Man 2” starring Andrew Garfield (2014) and now it’s […]
It’s probably not a coincidence that opening sequence shots in “Ophelia” resemble Kings Landing from “Game of Thrones”. The Disney like voice over in the prologue, “the story you don’t know”, quickly dispels the association that this will be anything as riveting as HBO’s bloodthirsty shock-value series. Lisa Klein’s novel might borrow names from Shakespeare,
Stupidity abounds in Danny Boyle’s latest film “Yesterday” which comes to us from a Richard Curtis (“About Time”, “Love Actually”) script. The origins of the story are the main selling points of the trailer and also the films most charming moments. After the blackout that causes The Beatles, Coca-Cola, and cigarettes to disappear, the entire film
“This movie is both a sequel and a prequel, set between the opening and main plot of the first Conjuring film – an extremely rare occurrence in any genre of film.” That might be a cool byline if you can understand it. Unfortunately, there are so many movies that center around The Warren’s, Annabelle, and
After the toys have said goodbye to their previous child, Andy, they are getting used to their new child, Bonnie (Hahn). Woody (Hanks) is hurt that he is not the favorite toy for Bonnie like he was for Andy, but he still has protective feelings toward her, as he has come to have toward all the
Nowadays, we seldom get an intelligent comedy—not only in the sense of being well constructed—but one sprinkled throughout with philosophical and literary references that are to the point yet still funny, at least in the way the main character quotes them, and to whom (like a bank teller who hasn’t the foggiest notion of what
Don’t go to see Danish filmmaker Thomas Vinterberg’s submarine thriller “Kursk” expecting something another “U-571” or “Crimson Tide.” You’ll want to lower your expectations, very low, for this flick starring Matthias Schoenaerts (“Red Sparrow”). Interestingly, the story behind Russian submarine Kursk has been told many times in various mediums to be such a recent tragedy. Robert Rodat’s
The opening scene, skateboarding through the dilapidated outskirts of San Francisco, is one of the most beautiful cinematic sequences of 2019. It’s the kind of defining imagery that will be used in end-of-the-year montages. It’s also a prelude to the visual wonders first-time feature filmmaker Joe Talbot has in store for the next two hours.
“American Woman” opens with a scene from the recent past of a mother who had her daughter so young that she becomes more of a best friend to her daughter than a mother. You might think you can size up Jake Scott’s latest film by that first act, but “American Woman” evolves into something else entirely.
If you go back and watch the three previous Men in Black films, you will find they always defeat the alien’s but lose the battle against time. When “Men in Black” debuted back in 1997, it had a formula that worked during that era of filmmaking and Will Smith was at the top of his