Another film that came and went from at last year’s Toronto International Film Festival that is finding its way to a wider audience thanks to the pandemic is “Hope Gap”. Based on writer/director William Nicholson’s own experience (and adapted from his play), watching his parents go through a divorce late in life. “Hope Gap” is […]
Aside from the gorgeous production design that looks like the inside of an Easter basket, do we really need another film version of Emma? The answer is no, and the longer you watch music video director Autumn de Wilde wallow in her directorial debut, it becomes more apparent. Wilde is either trying too hard or
There have been a surprising number of former supporting actresses moving up to lead roles this year. The latest, Emily Mortimer, who has continuously proven her diversity and range in films like Hugo, Elizabeth, and Notting Hill. Coincidentally, she and Patricia Clarkson have worked together numerous times, and do so again as opposing forces in this film. Clarkson
An Education (2009) was a great film, nominated for best picture and solidifying the career of Carey Mulligan. However, that’s no reason to use that movies structure in a different plot like director Lone Scherfig does here. Their Finest has a solid starting point, focusing on women’s increased role during WWII, specifically at London’s major
It’s disappointing that Norm of the North had a great opportunity to contribute to children’s understanding of climate change and its consequences
Director John Madden (Shakespeare in Love) and the cast who survived the first film return to India to once again check into the Marigold Hotel. “Why die here when you can die there,” says hotel co-owner Muriel Donnelly played by Oscar winner Maggie Smith (Downton Abby, Harry Potter). It’s Smith’s charm and wit that keeps