Max
The family film Max, not to be confused with Mad Max, is about as friendly as you can get without having a Lifetime or Disney logo branded on the poster.
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San Adreas
My entire life, scientists have been warning of the destruction that will occur when the San Andreas fault-line ruptures and breaks. The irony is how long it’s taken for a film like this to become reality. Dwayne “The Rock” Johnson lives for these big budget, action packed, suspense thrillers, and else would you want but him when
Survivor
Before you even start the film, you gotta’ wonder, why anyone would use such a simple title like “Survivor”? It’s such a non-describer, so unspecific, and easily confused with so many other titles and television series. Survivor is a throwback to 90’s thrillers like The Net or The Pelican Brief where our led female is
Bravetown
The directorial debut of Daniel Duran is marked with good intentions. Bravetown, formerly titled Strings, can’t decide if it’s an MTV dance special in small town USA, or a military recruitment story suffering from the unforgiving nature of war. Duran’s direction with Oscar Orlando Torres isn’t smart enough to be both. X-Men First Class star
Hot Pursuit
Just when you thought it was safe to accept Oscar winner Reese Witherspoon back into the pool of actors – turning their sinking career around… Ok, she still gets credit for her recent nominated performance in Wild and producing Gone Girl, but Hot Pursuit is a step backwards for the actress. She might be a
The D Train
Jack Black’s latest comedy The D Train is distributed by IFC, so you might wonder why is one of the former reining box office comedians opening a new film with a small studio? The answer is twofold, since Black’s recent films Bernie, The Big Year and Gulliver’s Travels didn’t produce profit and the “D” in
Welcome to Me
Saturday Night Live alum Kristen Wiig is a machine when it comes to delivering new work. Lately she has been producing three feature films a year, with Welcome to Me is just the latest lead role for the Oscar nominee. What feels like one of Wiig’s famous skit caricatures appearing in their own film, is
In the Name of My Daughter
In the Name of my Daughter is based on the story of a young woman’s disappearance in France, as written by her mother and brother in a memoir about ten years after she had gone missing. André Téchiné, the French director (and co-writer of the screenplay with Cedric Anger, and the brother, Jean-Charles Le Roux)
The Age of Adaline
Blake Lively wasn’t the first or second choice for this lead, however the Sisterhood of the Traveling Pants actress manages to make this her own, channeling a Renee Zellweger type performance. The film’s strongest element is the narration, which should sound very familiar if you liked The Assassination of Jesse James by the Coward Robert
It Follows
David Robert Mitchell’s It Follows, which is currently sitting around 90% on Rotten Tomatoes, suffers from the assumption that unorthodox equals genuine. Based on a reoccurring nightmare Mitchell has, It Follows attempts to avoid horror genre clichés only by falling into even worse clichés. Presented in a voyeuristic style, the film opens with a