A shell of a movie, that’s what documentarian turned feature film director Kitty Green has delivered with The Assistant. What should have been a short film, is prolonged into an excruciating 85 minutes that Emmy Winner Julia Garner (Ozark) can’t steer on her own. Green’s story about a woman working in a film production/distribution company […]
A new year means a new, (bad) Blake Lively film. The former “Gossip Girl” has been churning out at least one rotten flick a year since marrying Ryan Reynolds in 2012. Lively is a leading actress poster child for discardable first-quarter studio movies. The Rhythm Section finds Lively (“A Simple Favor”, “All I See is
Filmmaker François Girard (The Red Violin) is interested in music first, film second, and history third. His latest The Song of Names, like all his work, combine those three elements, this time into a familiar WWII film. The Song of Names also functions somewhat as a coming of age story, or at least it’s flashbacks.
If you like movies that manufacture migraines, agitate viewers senses and lead you to a state of anxiety, then Uncut Gems is what you have been waiting for. Familiarity with Josh and Benny Safdie is key to managing expectations on Adam Sandler’s latest work. There is no denying that Sandler, along with The Safdie Brothers
Ironically indie darling Kristen Stewart gave a more original performance in Charlie’s Angels than Seberg. In a rare turn playing a real person, Stewart takes on the role of 70’s era actress Jean Seberg who became involved in The Black Panther movement. Director Benedict Andrews (Una) is a relatively new filmmaker who focuses the story
Shot back in 2016, Terrence Malick’s latest film is also his longest. Based on a true story, “A Hidden Life” is his first linear narrative since “The New World.” With so many flashbacks and “visions,” it certainly does not follow a traditional linear path. Taking over for Malick’s frequent collaborator Emmanuel Lubezki, Jörg Widmer’s opening
Atlantics marks the second foreign film submission for Senegal for consideration in the Academy Awards International Film category. An easy choice for the west coast African country after actress-turned director Mati Diop, became first black female director in history to compete at Cannes earlier this year. Atlantics’ supernatural element makes it stand out among many
It is likely that I’m one of the few people who haven’t seen the documentary “Won’t You Be My Neighbor,” despite having watched “Mr. Roger’s Neighborhood” as a child. It would be incorrect to think the new feature film by Marielle Heller is centered around the beloved Mr. Rogers. It’s not. In fact “A Beautiful
You can appreciate Martin Scorsese’s accomplishments and his lasting legacy in cinema without really loving his films. His latest “The Irishman” is a Netflix-funded mob flick that harkens back to his “Casino” or “Goodfellas” days, with a spattering of familiar cast. Given free rein by Netflix, the only studio who would (or could) give him
Oscar-winner Bill Condon (“Chicago,” “Beauty and the Beast“) has an eclectic filmography, dabbling in both big-budget CGI films like “The Twilight Saga Breaking Dawn,” and smaller films aimed at multi-generational audiences like “Mr. Holmes.” “The Good Liar” marks the first film Oscar-nominee Ian McKellen (“The Lord of the Rings”) and Oscar-winner Helen Mirren (“The Queen”)