Filmmaker François Girard (The Red Violin) is interested in music first, film second, and history third. His latest The Song of Names, like all his work, combine those three elements, this time into a familiar WWII film. The Song of Names also functions somewhat as a coming of age story, or at least it’s flashbacks. […]
Two Time Oscar-winning director Ang Lee (“Hulk,” “Life of Pie”) seems drawn to technological advancements that aid in telling stories that otherwise couldn’t be told. When Lee focuses more on the story and less on trying to wow the audience (“Brokeback Mountain,” “Sense & Sensibility”), his films are typically better. “Gemini Man” has been rattling
It’s probably not a coincidence that opening sequence shots in “Ophelia” resemble Kings Landing from “Game of Thrones”. The Disney like voice over in the prologue, “the story you don’t know”, quickly dispels the association that this will be anything as riveting as HBO’s bloodthirsty shock-value series. Lisa Klein’s novel might borrow names from Shakespeare,
Ten years after The Fifth Element, fantasy film director Luc Besson puts together the most expensive French flick in history. Compared to his ‘97 Bruce Willis sci-fi flick, which had 188 visual effects shots, this one has 2734. It’s another case of technology overriding anything else on screen. Lead actor DeHaan (coming off another failed
The Dallas International Film Festival opened with the new film Words and Pictures, which really displays a nice argument between which art form is more powerful and important. Of course this isn’t just about an English teacher and an Art teacher having what the students call “A War.” The characters are well written and highly
I had seen Andrea Riseborough in many good films, including Never Let Me Go, Happy Go Lucky, and even in Madonna’s film W.E.. Shadow Dancer is a small Irish film that makes the most of the small budget and large story. However, it never finds its footing as far as engrossing cinema goes. It’s from