Disney’s new film “Christopher Robin” is not to be confused with 20th Century Fox’s “Goodbye Christopher Robin” Last year, “Goodbye” showed us the dark origins of young boy Robin and how the famous characters like Pooh and friends came to be. The latest is a fictional story along the lines of “Paddington” where a grown-up […]
I am always partial to Brad Bird, and think that his production of Incredibles 2i s just that—impressive enough to be regarded as incredible, and a film that is likely to appeal to all ages. One of Bird’s strengths is in mixing lavish visual and special effects with an entertaining story of substance. Beyond the entertainment, values come
While there is nothing inherently wrong with the latest “Star Wars” film, there is nothing intrinsically right with it either. “Star Wars” fatigue has set in for many fans a few episodes back. Fatigue that is likely to continue because the franchise which used to debut films once every few years, now delivers a new one every few
A fellow critic asked the rhetorical question, “does latest Avengers live up to the hype”. What is hype, the excellent marketing Disney (which owns Marvel) telling fans who were already going to buy a ticket and love the film without seeing it to get excited? “Avengers Infinity War” is the 19th entry in Marvel’s Cinematic
Director Ava DuVernay’s fourth feature film is based on the beloved children’s book of the same name. Debuting at a time where diverse directors are making their mark, “A Wrinkle in Time” comes to the screen on the heels of Disney’s groundbreaking “Black Panther”. DuVernay’s snub in the best director category for “Selma” a few
Disney/Pixar’s colorful, entertaining animation will delight children and adults, which I inferred while watching the screening and hearing the applause at the end. Production design by Harley Jessup is rich in detail and captures Mexican lore about the land of the dead. The story by Lee Unkrich and his fellow writers has emotional depth that
Disney has taken a desperate approach to revive one of its longest running and high grossing franchises. “Pirates of the Caribbean” returns with a fifth installment (they swore the fourth was the final), titled “Dead Men Tell No Tales”. New directors, new musical composer, but the same old story. It’s hard to imagine back in
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Come take a leisurely stroll over the scenic Chinese countryside in the greatest of comfort—unlike that for the filming crew which lugged their equipment, trudging up and down mountains in all kinds of weather to allow us this indulgence. Disneynature’s Born in China, expertly directed by Chuan Lu and grandly photographed by six artists (Irmin
Finally! Disney has finally grown a pair and embraced the notion of death and consequences in a franchise film. Ever so scared of disturbing a money making formula, the recently acquired Disney franchise, goes far beyond killing a minor character in The Avengers series or discarding an actor because of his age in the “Star
This magical, musical animation from Disney incorporates folklore and myth to tell a story about identity with reverence for history and the preservation of the world. It’s a hero’s—actually, a heroine’s—journey where she must go out into the world far beyond her safe island and undergo many trials to save her people and their land.