Train Dreams Starring: Joel Edgerton, Felicity Jones, William H. Macy Director: Clint Bentley Running Time: 102 minutes Rated PG-13 Grade A- “You can still feel the echo of it,” narrator Will Patton speaks at the opening of the film. While the narration speaks about time, essence, and the intangible, Clint Bentley’s new film “Train Dreams” […]
In The Brutalist, directed by Brady Corbet, architecture is not merely a backdrop but the scaffolding of the narrative—a haunting testament to both creative ambition and personal disintegration. Corbet, who made a name with Vox Lux and The Childhood of a Leader, delves into the story of László Toth (played with raw intensity by Adrien
‘Creatures of the sky’ they refer to themselves. Amazon’s big-budget movie “The Aeronauts” finally comes together after production delays and a few edits. What isn’t coming together is a theatrical release. Amazon Films new director Jennifer Salke scraped the wide release in America despite “The Aeronauts” garnering impressive reviews from film festivals like TIFF and
Mimi Leder’s “On the Basis of Sex” is a nice movie with good intentions. Its release comes on the heels of the award-winning documentary, “RBG,” detailing the life of Supreme Court Justice Ruth Bader Ginsberg. The film seeks to introduce viewing audiences to the earlier part of Ginsberg’s life. “On the Basis of Sex” feels
In his first film since Oscar nominated “The Impossible”, (coincidentally my favorite movie of 2012), J.A. Bayona continues his theme on suffering. Using mixed media of CGI characters, watercolor animation and live action, “A Monster Calls” is an emotional journey, perhaps even a tool for young people to cope with loss. There are many themes
Finally! Disney has finally grown a pair and embraced the notion of death and consequences in a franchise film. Ever so scared of disturbing a money making formula, the recently acquired Disney franchise, goes far beyond killing a minor character in The Avengers series or discarding an actor because of his age in the “Star
By all accounts, True Story should have been a gripping, taught trifecta of brilliant performances. After all in the previous two dramatic films (The Wolf of Wall Street, Moneyball) comedian Jonah Hill landed him Oscar nominations. True Story is director Rupert Goold’s first feature and the first film for Felicity Jones post Theory of Everything