Harvey Keitel

The Irishman

You can appreciate Martin Scorsese’s accomplishments and his lasting legacy in cinema without really loving his films. His latest “The Irishman” is a Netflix-funded mob flick that harkens back to his “Casino” or “Goodfellas” days, with a spattering of familiar cast. Given free rein by Netflix, the only studio who would (or could) give him

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Isle of Dogs

In the hands of Wes Anderson, a stop-motion animated film with mostly dogs as characters and an allegorical theme will captivate children and adults without pandering to either. Probably by coincidence, writer-director Anderson, with the help of Roman Coppola, Jason Schwartzman, and Kunichi Nomura, employ themes of topical relevance today: government corruption, foreign influences on

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Youth

Paolo Sorrentino presents Youth, much like a classic Italian filmmaker from the 1950s. It’s an art film for sure, but Sorrentino’s original script offers much more than just stunning Switzerland visuals and curious cinematic metaphors. It’s the cast, including a memorable performance from double Oscar winner Michael Caine (The Dark Knight, The Last Witch Hunter),

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