“Misbehavior” tackles a large portion of London’s women’s liberation movement of the early 70s, beginning with a scrappy group that infiltrated the Miss World Pageant in 1970. Screenwriters Rebecca Frayn and Gaby Chiappe give so many of the characters their own point of view moments, that sometimes it’s unclear exactly whose story is being told […]
Gavin Hood (“Eye in the Sky,” “Enders Game“) might be a ‘hit or miss’ director, but his latest film exposes a story most Americans are unfamiliar with. “Official Secrets” centers around a whistleblower who leaked classified information during the War with Iraq. Why is a movie in 2019 looking so far back to something that’s
The Nutcracker and the Four Realms is just as enchanting as it should be, and involves a twist. In this case, the traditional hero’s journey is undertaken by a girl named Clara, the girl in Tchaikovsky’s popular “Nutcracker” ballet. The script is based on E. T. A. Hoffman’s 1816 story (“The Nutcracker and the Mouse King”), in which
Wash Westmoreland, the director of Oscar-winning “Still Alice,” originally wrote the script for “Colette” back in 2001. As the climate in Hollywood has shifted, there has been more demand for female-centered films. What better than one of France’s most celebrated feminists Sidonie-Gabrielle Colette. The film opens with Oscar nominee Keira Knightley (“Pride and Prejudice”) running
Think of a Lifetime movie, but with Oscar winners and nominees. That’s what director David Frankel’s Collateral Beauty amounts to. If you have never seen a Lifetime film, it’s a network that produces movies that are often contrite, more focused on getting an emotion out of its audience, regardless of the means or accountability in