Each year, The Toronto International Film Festival (TIFF) provides a platform for the fall and winter debuting films eager to become awards contenders. It’s also a swell of unpurchased smaller films looking for distribution. In its 48th year, TIFF is one of the largest film festivals in the world. It showcases well over 200 films […]
Netflix delivers a remake of Alfred Hitchcock’s best picture winner “Rebecca”, based on Daphne Du Maurier’s novel. While the original was presented in eerie black and white, Ben Wheatley’s adaptation is gloriously colorful, even using the easily recognizable Hatfield House, in Hertfordshire where “The Favourite” was shot. While Kristin Scott Thomas (“Military Wives”) is ideally
Finally, a somewhat uplifting VOD release for the Stay Homer’s desperate for new feature film content. Although “Military Wives” missed the prime Mother’s Day release window, Peter Cattaneo’s (“The Full Monty”) film shines a light on the often unsung heroes of the military: Wives and their resilience to support those defending freedoms. Based on a
Roger Ebert said, “No one can play Lara Croft like Angelina Jolie”. It turns out, he was right. Academy Award Winner Alicia Vikander (“The Danish Girl”) has struggled to find her place in Hollywood after winning such acclaim at an early age. The “Tomb Raider” reboot or prequel, is the first film to sit squarely
It’s a play, Sally Potter’s latest film. Or at least it’s written and shot like one. The writer/director behind such diverse films as Ginger & Rose or The Man Who Cried, delivers a wildly eccentric and capable ensemble cast. This black and white staged cinema takes place in one single location, in real time during
There was a huge wave of buzz after Darkest Hour debuted at Telluride. Not only just for the obvious best actor race, but even some mention of best picture. Mainstream American audiences will likely write this film off a stuffy historical drama where history plays out in a bunch of different rooms. It’s true that