First time feature film director Egor Abramenko’s Russian sci-fi thriller “Sputnik” makes the most out of a “less is more” approach. First off, the 1980’s retro theme from wardrobe, vehicles, even composer Oleg Karpachev’s score, fit the bill and isolate the viewer in this bleak Cold War scenario. Second, “Sputnik” writers take a very “X-Files” […]

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