Russia

Beanpole

Typically with Russian submissions to the Academy for International Film, you see dark, brutal, dramatic epics often focused on violence. Loveless and Leviathan come to mind. The Russian selection committee look to the future with promising 26-year-old director Kantemir Balagov, only on his third feature but already capturing three major awards at Cannes, two this […]

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Loveless

Following up his haunting and Oscar nominated Leviathan, writer/director Andrey Zvyagintsev returns with another look at bleak, modern Russian life. Loveless is a character study, examining two divorcing parents, neither of which want custody of their child. The details and elements of the film are heartbreaking, but Zvyagintsev spends so much time detailing the personas,

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Paradise

 Paradise comes from a different perspective on the ending of WWII in Germany, one in which previous leaders and a prisoner reflect on what happened from their viewpoints, why they made the decisions they did, and their regrets. Olga (Vysotskaya) is a Russian noblewoman who joined the French Resistance and got arrested for sheltering Jewish

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Hardcore Henry

I’m often asked what types of films I like. I usually explain that there isn’t a type, but a quest for something original, unique, different, that’s what impresses me. However, here is an example where a far reaching first time filmmaker, Ilya Naishuller (called the next Tarantino) debuts an entirely innovative and unconventional presentation, and

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