Bradley Cooper is again all hands on deck for his sophomore feature film. Cooper said “A Star is Born” was about Lady Gaga’s voice, and “Maestro” was about Leonard Bernstein’s music. Cooper’s vision, six years in the making, takes the audience far away from the stereotypical biopic. The first act is an ode to classic […]
If you love animation and you don’t mind the shameless plugging of Disney, you are likely to enjoy this film. Ralph (Reilly) and Vanellope (Silverman) remain fast friends, and have discussions about their attitudes toward their lives, such as that Ralph is completely happy and Vanellope finds day-to-day a little boring. Racing is easy peasy (she has
Colin Trevorrow’s follow up to “Jurassic World”, his non tentpole picture before “Star Wars Episode XI” (2019), takes him back to “Safety Not Guaranteed” territory. Despite appearances, “The Book of Henry” still functions within Trevorrow’s fantasy repertoire. The closest thematic resemblance here would be the 1992 flick “Radio Flyer”. The script abandons predictable narrative structure,
Comedian turned dramatic actress apparently; with Sarah Silverman (Ashby, School of Rock) there is always a bit of unpredictability.
Nat Wolff continues to win me over with his relatable comic humor. Most widely known as the blind kid in The Fault in Our Stars, Wolff was most recently seen in the forgettable teenage drama Paper Towns. Ashby provides the 20 year old with his most fully fleshed out character yet. Mickey Rourke continues