This is a smart comedy—laugh-out-loud funny in places—well written (Isaac Aptaker and Elizabeth Berger) and suspenseful because it’s unclear just how everything will be worked out. In some ways, it’s a series of funny disasters, but it’s more than that in its touching on the difficulties in long-term relationships and the hazards of scheming to achieve […]
Guy Ritchie’s new film “Wrath of Man” opens a lot like Christopher Nolan’s “The Dark Knight” which was inspired by Michael Mann’s “Heat”. If you have followed Ritchie’s work through the action genre and you see Jason Statham attached you expect something like “The Gentleman” (2019) or “RocknRolla” (2008). “Wrath of Man” is more morose,
Film critic turned director Rod Lurie’s latest film “The Outpost” is based on CNN Reporter Jake Tapper’s book by the same name. It opens with quotes from military leaders regarding the unique dangers of this part of Afghanistan, background notes about time and place, title credits, the names of every character on screen, location credits,
The winner of ‘sequel we needed the least’ certainly goes to Pacific Rim: Uprising. The turbulent second film in the series was originated by recent Oscar winner Guillermo del Toro (The Shape of Water) and then handed off to television director Steven S. DeKnight, making his feature film debut. While Uprising isn’t the worst movie
“Snowden” has problems, and it starts with director Oliver Stone. The controversial, three time Oscar winner hasn’t really made a good film since 1995’s “Nixon” (ironically the last time he was nominated). His notion of more being more always distracts and takes away from whatever current agenda or factual story he is peddling to the
The part about this being the longest ride isn’t a joke. Celebrated (or despised, depending on who you ask) author Nicholas Sparks’ 10th film adaptation has the longest running time yet. With a steady box office decline after the unmatched success of The Notebook, Sparks adaptations have gone from all-star casts to Brit Robertson from
Dawn Patrol is likely to be among the worst of 2015’s early slate of films. Debuting at the Austin Film Festival, the drama touting itself as a film with a surfer-turned-Marine is quite a bit of false advertising. Clint Eastwood’s son Scott, making his leading film debut, is every bit as charming as his dad