Macabre thriller with some humor is how I would describe Beasts Clawing at Straws. It consists of a series of vignettes about a disparate group of people whom you gradually—only very gradually—realize are connected with one another. To make it more complicated, characters evolve across time, so that who you think they are in the beginning is different from how […]
A lot has been said and written about the film Burning, South Korea’s submission to the Academy Award foreign film race this year. It began rolling out for the world to see back at the Cannes film festival. Whether critical word of mouth or it’s perplexing nature, Burning has become the second most talked about
South Korea’s official selection to the 89th Academy Awards, The Age of Shadows marks the second entry for actor Kang-ho Song, who starred in last year’s submission The Throne. The Age of Shadows is the least controversial of the two South Korean films that made moderate splashes in the US cinema market. Epic in scope,
Both The Assassin (China) director Hsiao-Hsien Hou and Joon-ik Lee, director of The Throne (South Korea), have spent eight years on the sidelines before returning to film.