“The Burial,” is a film that beckons us to reflect on the complexities of justice and human connections. Director Maggie Betts (Novitiate) turns what could have been ‘just another courtroom movie’ into an exciting, sometimes lighthearted, other times heartfelt drama. The film delves into the true story of Jeremiah O’Keefe, brought to life by the […]
By: Dustin ChaseThe international component of The Toronto International Film Festival (TIFF23)has vast offerings and really traversed the map on day two of the festival. Day 2 of TIFF23, has another replay from Cannes earlier this year and the likely submission from Italy for the Academy Awards international submission. “Kidnapped” (Rapito) is an operatic-style drama detailing
James Grey is the director who almost makes a good movie. His transference from brain to screen is often a fascinating process, even when the final product leaves much to be desired. His previous The Lost City of Z was a stunning film, from presentation to concept, yet the narrative and editing to tell
The Bourne series which began in 2002 with director Doug Liman instantly became Oscar winner Matt Damon’s most successful acting venture. The 2004 sequel “The Bourne Supremacy” was handed over to director Paul Greengrass (“United 93”, “Captain Phillips”) who revitalized the series. Greengrass returned to finish out the trilogy in “The Bourne Ultimatum” (2007), but
Tommy Lee Jones’ latest film, the follow-up to his 2005 directorial debut, The Three Burials of Melquiades Estrada, takes us as far away from the conventional western as I have seen from any modern director. The entire premise, movement heading from west to east, an unmarried female transporting crazy women back to Iowa—all of it