You can officially stop wondering or hoping if the modern “Jurassic Park” franchise will ever re-capture what audiences felt in 1993. These desperate sequels will never have the effect on a current generation that Steven Spielberg’s blockbuster did on ours. That said, Colin Trevorrow’s 2015 “Jurassic World” came close. “Fallen Kingdom” unfortunately lives up to […]
It’s been a good year for directorial debuts. Producer/writer turned director Drew Pearce creates an unusual futuristic world with Hotel Artemis. It’s a suspense thriller with cleverness and a superb cast. Jodie Foster is back on the screen for the first time since the disappointing Elysium (2013) and Pearce’s sense of humor and violence isn’t
In the hands of Wes Anderson, a stop-motion animated film with mostly dogs as characters and an allegorical theme will captivate children and adults without pandering to either. Probably by coincidence, writer-director Anderson, with the help of Roman Coppola, Jason Schwartzman, and Kunichi Nomura, employ themes of topical relevance today: government corruption, foreign influences on
Disney is working overtime, trying to convince audiences that the third installment of Marvel’s “Thor” is better than the previous. With five appearances as the God of Thunder, Chris Hemsworth (“Ghostbusters”) gets a new look, inventive director Taika Waititi injects life to the franchise and the cast is more impressive than ever. However, only so
When even the characters in the movie are projectile vomiting, you can imagine what audiences who actually paid for this will be doing. Writer David Koepp should really stop directing movies, and stick to writing.
There should never be any confusion about which films are by Wes Anderson. He is an auteur in every meaning of the word, as he has carved out a specific niche for his own distinctive creativity. Like a painter who reinvented brush strokes or a vocal artist with a special sound, Wes Anderson’s films are