Two-time Oscar winner Mahershala Ali (“Green Book,” “Moonlight”) turns in another impressive performance as a man looking to clone his dying body so his family can survive in “Swan Song.” The most important aspect of “Swan Song” is Ali is in it. Garnering a Golden Globe nomination for his performance this week, Apple TV+ continues […]
Quintessential Bond with the complex plot, hair-raising chases, pretty women, and lots of booze and gadgets. Bond (Craig)—who has “disappeared” after seeing that arch-enemy Blofeld (Waltz) is incarcerated—is found in Jamaica by his old friend, CIA officer Felix Leiter (Wright), after Bond has just unceremoniously put his girlfriend Madeleine (Seydoux) on the train because of his
Director Deon Taylor’s second film of 2019 is a tremendous improvement from “The Intruder,” which currently sits on many critic’s worst lists. “Black and Blue” is a step toward a better path as Taylor’s interest in suspense and the thriller genre is applied to better use. “Black and Blue” is a simplistic cat and mouse
Andy Serkis, actor, visual effects stunt genius and the vocal mastermind behind Gollum in “The Lord of the Rings,” has decided to add director to his list of credits. “Mowgli” was his first film, but it has taken years after filming principal photography, for the visual effects to be complete. His second film “Breathe,” came out
Another movie where highest paid “actor” Dwayne Johnson saves the world. “Rampage” is also the second video game adaptation we’ve seen this year. Director Brad Peyton and Johnson have become a team delivering spectacle film “Journey 2” and “San Andreas” (the sequel to that one coming soon). “Rampage” feels like a cross section of different
Think of a Lifetime movie, but with Oscar winners and nominees. That’s what director David Frankel’s Collateral Beauty amounts to. If you have never seen a Lifetime film, it’s a network that produces movies that are often contrite, more focused on getting an emotion out of its audience, regardless of the means or accountability in
What Barry Jenkins (Medicine for Melancholy) has created in Moonlight is nothing short of exquisite. Sure, it’s getting high praise from critics, breaking limited release box office records, and likely by the time general audience see this little indie they will wonder what the fuss is all about. There are two types of films that
The new thriller from director Susanna White, not the first choice for the project, has actually turned out pretty good for those with patience. Lost are the art of spy thrillers that focus more on discussion, secrets, back dealing and survival. Our Kind of Traitor has a few simple action scenes in the final act,
This has been an incredible year for black history in film, and another beautiful film joins that welcome cluster. Director Just Chadwick (The Other Boleyn Girl) is no stranger to historical pictures, and while his Mandela picture isn’t the sleekest and well rounded piece of cinema, it’s still a beautiful telling of an amazing story