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Little

Little follows the premise that traits you had as a child follow you into adulthood.  I don’t know exactly why the filmmakers (writers/director Tina Gordon and Tracy Oliver) came to the conclusion that we needed a black version of Freaky Friday, because, as said in the trailer, “We don’t have time for that.”  Yet, here we are with another

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The Public

Emilio Estevez follows up his 2010 project “The Way” with another informative, social drama called “The Public.” Written, directed, and staring Estevez, his story reminds us of the saying “no good deed goes unpunished.” In this case, he takes a really impressive cast and wraps them around a story of social injustice, politics and what’s

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Gloria Bell

Here they come. Hollywood is currently half a dozen or so foreign language hit films in English. “Gloria Bell” is the Americanized version of director Sebastián Lelio’s 2013 film “Gloria.” Why an up and coming director would want to revisit something he has already seemingly accomplished is beyond my understanding. “Gloria Bell” debuted at the

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The Kid

As westerns go, “The Kid” has little to offer in the way of original content. You don’t have to look very far to find stellar examples of the genre that once ruled Hollywood. Scott Cooper’s 2017 epic “Hostiles” raised the bar for future westerns. Not only is it a lackluster western, ”The Kid” isn’t even

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