This week’s new release is heading straight to streaming video with so many movie theaters currently closed. This one will likely find more viewers on-demand than it would have in a cinema. “Never Rarely Sometimes Always” was one of the Sundance Film Festival’s big finds. Writer and director Eliza Hittman delivers a modern-day look at […]
A shell of a movie, that’s what documentarian turned feature film director Kitty Green has delivered with The Assistant. What should have been a short film, is prolonged into an excruciating 85 minutes that Emmy Winner Julia Garner (Ozark) can’t steer on her own. Green’s story about a woman working in a film production/distribution company
Whether or not Flower is hitting theaters in the wake of Lady Bird’s success might never be known. However, Flower provides a stark contrast for audiences to see the difference between two female perspective coming of age stories. One is meant to inspire, touch audiences and reach beyond comedy and entertainment. This one is a
Breaking up is hard to do, and it’s shown to be so in spades for the couple in The Lovers. Michael and Mary’s marriage is clearly on the rocks—and according to their son has been so for years. They’ve reached a state of dispassionate regard for one another, neither seeming to realize that their partner
A young nursing assistant in an existential crisis seems to attract trouble at every turn—a foul-mouthed ungrateful terminal patient, dog poop on her lawn, disrespectful clerks and customers in stores, and finally, her house being robbed. She reports the crime to the police, but gets little response. She tries to figure out what is happening.
I’ve started calling horror movies that are under 90 minutes and have only the basic of concepts, pocket films. The best thing about The Eyes of My Mother, and others like it, is they don’t waste too much of your time. Nicolas Pesce is your typical first-time filmmaker, cutting his teeth on the go-to genre.
What happened to Zoe Kazan’s career is not the most pressing question while watching The Monster. But you still have to wonder what happened to the writer/actress who seemed so promising back in 2012 with the lovely Ruby Sparks. The Monster is nothing more than a throwaway horror film, that feels more like experimental filmmaking
It’s a good time to be a Rachel Weisz fan. Just this week she has not one, but two films opening. It’s been a while since the Oscar winning actress had been the lead of a film, but Ms. Daniel Craig is certainly overdue and talented enough to hold a film together. Joshua Marston is
The Force Awakens actor Oscar Isaac returns to the big screen in the little indie thriller Mojave.
At the risk of pissing off a lot of people and eating my own words, I almost didn’t write this review or even watch beyond five minutes of Tangerine. Not to be confused with Tangerines, the Oscar nominated, award winning, foreign film from last year; this film, which premiered at Sundance, was shot entirely using